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March 10th, 2010 at 2:40 PM
Album Review: Immolation – ‘Majesty and Decay’ (Nuclear Blast)
Like fellow New Yorkers Suffocation, these death metal vets get down to brass tacks. No soaring choruses, female singers, keyboards or groove metal here: just blaring, straight forward, blasphemous-as-hell death metal. “Soon there will be nothing left,” vocalist Ross Dolan growls on “The Purge,” a typically bleak punish-a-thon. Guitarist extraordinaire Robert Vigna adds to his legacy, taking cuts like “A Token of Malice” and the title track to neck-snapping limits with monstrous riffs and scale-eviscerating solos. Dolan infects each pummeling offering with the type of scorched earth/anti-Christian diatribes that have made them one of the genre’s most dependable and respected acts for two decades. But they also prove there’s room for experimentation without straying from the crushing death loyal fans have come to expect. “In Human Form,” for example, includes mind-bending crescendos while “A Glorious Epoch” shifts from furious bridge to headbanging grind to frantic solo and back again. Majesty and decay, indeed.
March 9th, 2010 at 2:19 PM
Album Review: V/A – ‘Ghostly Essentials: Avant Pop One’ (Ghostly International)
So many artists hate to pigeonholed. But here, trendsetting electronic label Ghostly International does it for them. The Michigan-based imprint here boldly dubs many of its best acts “avant pop,” describing the genre as fusing “an electronic methodology and a pop sensibility, encompassing the avant-garde and the catchy, the alien and the familiar.” That’s an apt description for much of the underground digi-pop packed onto this comp. “Disco Rout” by Legowelt, for instance, is just a Lady Gaga hook away from Billboard gold. But don’t be fooled into thinking this is wannabe pop. It’s exactly what it wants to be: smart, hook-laden electronic music that’s a righteous alternative to overproduced, over-marketed and over-consumed electro-pop trash. Some of the highlights are Lusine’s “Two Dots,” Matthew Dear’s simply Chromeo-like funkfest, “Don and Sherri,” and Solvent’s “My Radio.” Also included is Deastro’s gem “The Shaded Forests,” which appeared as a bonus cut on the Detroit laptop producer’s awesome 2009 album Moondagger.



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